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FOFF Programs

May 10, 2009: 7:00pm
Roxie Cinema
3117 16th Street
San Francisco

Fear and Desire
Stanley Kubrick was born to make films. As a youth, he was a rapacious movie-goer, turning his critical eye to the myriad cinematic offerings of his native New York City. A talented shutterbug, he parlayed this hobby into a job as staff photographer at Look magazine while still in his teens. Kubrick's yearning to extend his photographic work into the domain of cinema led to his first short film, Day of the Fight, and two years later, his feature debut: Fear and Desire.
Fear and Desire (1953) by Stanley Kubrick 61 min. BW 35mm
From the start of his career, Kubrick had high-art aspirations, and these are evident even in his first feature-length work. Fear and Desire, perhaps the first independently-made American art film, is an allegorical war picture that explicitly locates its conflict, and its primal motivators, in the province of the mind. Kubrick acted as producer, director, and editor, and though his mise-en-scène was limited by available locations and props and a mostly static camera, he nonetheless evinced a flair for evoking moods with eye-catching compositions and subtle nuances of light, and an analytical, poetic approach to montage.

Ultimately, the film's miniscule budget was insufficient to fully realize its maker's intent, particularly when it came to performances, including that of a young and spastic Paul Mazursky. Kubrick, who would become notorious for requiring multitudinous takes in pursuit of his ineffable vision, was unable to indulge this maniacal perfectionism in Fear and Desire, and would suppress the film as his career advanced. But close examination reveals the seeds of themes that pervade his later work: the imperviousness to reason of man's subconscious, often destructive impulses; his isolation (Kubrick eschews "normal" displays of emotion, and he frequently refuses to provide us a charismatic, conventionally sympathetic protagonist to identify with); and a fascination with the grotesque.
preceded by:
Day of the Fight (1951) by Stanley Kubrick 16 min. BW 16mm
A portrait of boxer Walter Cartier, whom Kubrick previously profiled in the pages of Look. In this sure-handed short, ringside thrills are counterpointed by a meditation on identity courtesy of Cartier and his twin brother.
Flying Padre (1951) by Stanley Kubrick 9 min. BW 16mm
This newsreel-style profile of a New Mexican aeronaut/priest offers an early example of one Kubrick trademark: the voiceover.